Sunday, January 04, 2015

Saturated Primary Colors vs. Soft Muted Neutrals: An Early Springtime Dilemma

by Maria


I've always been inclined toward black on black on black no matter the season, but lately I've come to embrace browns and navies. In the season to come, I'd like to push myself even further. The extremist in me wants to dive headfirst into a Bauhaus wet dream with ultra-saturated yellows, cobalts, vermillions. Another side longs to be a soft, approachable Olivia Pope circa 1983 in the Hamptons, probably. 

Can it be both? Would combining elements from the two cheapen the effect of each? 

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